Working With Designers

Acrylic on watercolor paper

42x42 inches

Anderson's large-scale abstractions in oil and acrylic offer a rare combination of visual weight and luminosity that translates powerfully into residential and commercial interiors. Her layered, color-saturated abstract works function as statement focal points in modern, transitional, and contemporary spaces — commanding from a distance while revealing process and depth up close.

Frequently specified by designers and art consultants seeking bold original abstract painting with genuine art historical grounding. Available in a range of scales; works on paper provide a more intimate option for smaller environments.

Linocut

Paper: 12 x 9 in.
Image: 6 x 6 in.

Edition of 7

Chast's works on paper bring wit, warmth, and cultural intelligence to collected interiors. Instantly recognizable and broadly beloved, her pieces are particularly effective in studies, libraries, dining rooms, and curated gallery walls where personality and conversation are part of the design intent. A strong choice for clients who collect with a literary or New Yorker sensibility. Works are modestly scaled and work well in groups or as singular focal points in intimate spaces. 

Oil on Canvas

30 x 30 in.

Shalom's paintings occupy a distinctive space between geometric abstraction and intuitive mark-making, with a color intelligence that makes them highly versatile in designed environments. Her abstract works hold their own in architecturally rigorous interiors particularly those with strong material palettes while avoiding the coldness that purely geometric work can carry. A consistent choice for designers working in contemporary residential and boutique commercial settings seeking original abstract painting with warmth and depth.

Watercolor and opaque watercolor on paper

40 x 26 in. 

DeGroot's arboreal and botanical paintings bring organic structure and careful observation to contemporary interiors. Her works, studies of trees, branches, and natural form rendered with quiet precision, appeal strongly to designers working in nature-forward, biophilic, and Japandi-influenced environments, as well as more traditional residential settings seeking work that feels both contemporary and rooted. Available at intimate and mid-range scales; works well in multiples.

Collage of risographs on Japanese papers with sewing and acrylic gouache

33.5 x 33.5 in.

Jacquelyn Strycker's collage-based works reference textile traditions — quilts, rugs, tapestries — while functioning fully as fine art objects. Their graphic clarity and pattern intelligence make them natural conversation partners with designed interiors that incorporate strong textiles, wallcovering, or material detail. Particularly effective in spaces where the designer wants a work that feels woven into the material world of the room rather than separate from it.

Oil on canvas

48 x 60 in.

Johnson's architectural abstractions  geometric forms, lines, and intervals rendered with precision are a strong fit for environments where structure and control are part of the design language. His work reads cleanly against both neutral and material-rich backgrounds and holds its presence at large scale. Particularly effective in corporate, hospitality, and architecturally rigorous residential environments seeking abstract painting with graphic authority.

Joanne Freeman's gouache  on handmade paper art occupies a precise, meditative territory between geometric structure and intuitive mark-making. Her ongoing Squares and Strokes series — available in a range of sizes — brings an exceptional quality of surface and color restraint to designed interiors.

The works are intimate without being decorative, and their modest scale makes them ideal for studies, corridors, bedroom environments, and curated gallery walls where precision and quiet intensity are the goal. Frequently placed by designers working in modern and minimalist residential settings. Works on paper available at accessible price points; an excellent entry point for clients beginning to collect original art.

Acrylic on wood

40 x 44 in.

Stephens builds his paintings entirely freehand over an underlying grid of commercial paint samples, exploring color relationships line by line in acrylic on wood. The result is work of extraordinary optical complexity — paintings that vibrate with color energy and reward sustained looking in a way that static, high-contrast work cannot.

His paintings carry clear references to textile and mosaic traditions, making them natural companions to designed interiors where pattern, material, and visual rhythm are already part of the room's language. Particularly effective in open-plan spaces, dining environments, and contemporary residential interiors where a focal-point work needs to hold its own across a large wall. Available at multiple scales.

Oil on paper / mounted

15 x 21 in.
Framed size: 22 x 28 in.

Bielen's intimate oil paintings — figures, still lifes, and interior scenes rendered with spare, unsentimental clarity — bring a quiet human presence to any space they inhabit. Working primarily in oil on paper mounted on panel, his pieces are modest in scale but substantial in feeling, and work exceptionally well in rooms where the designer wants something that rewards close looking rather than commanding from a distance.

Particularly well-suited to studies, reading rooms, bedrooms, and secondary spaces in residential environments where a work of genuine artistic seriousness is needed without visual dominance. Available at accessible price points across a range of sizes; works frame beautifully and hold well alongside both contemporary and traditional interior schemes.

Oil and pencil on panel

29 x 70 in.

Breslow's paintings and works on paper translate the visual rhythm of urban environments — streets, windows, light, shadow — into luminous, precisely structured compositions in oil and pencil on panel. Her work bridges the space between representation and abstraction in a way that appeals broadly: specific enough to be immediately readable, abstracted enough to hold visual interest in a designed setting over time.

Available from intimate panel works to substantial horizontal canvases such as Balcony View (2024, 29 x 70 inches), Breslow's paintings scale gracefully across residential environments and are a particularly strong fit for transitional and contemporary interiors where the designer wants original painting with genuine art historical substance. We also carry Lisa Bewslow's monotypes.

 Chann's wall-mounted sculptures are among the most distinctive three-dimensional works available through the gallery — and one of the most conversation-generating pieces a designer can specify. Built from acrylic and ink within a gridded geometric structure, each piece hangs by a single central nail and brings a jewelry-like precision to wall installation.

The work draws on Buddhist mandala traditions and the stepped Manhattan skyline, making it a natural fit for collectors with a cultural or design sensibility and for interiors where a sculptural wall piece is preferable to a flat canvas. Available in a range of sizes; the intimacy of scale makes Chann's work ideal for entryways, studies, and primary wall positions in modern residential interiors where the piece will be encountered closely.

Oil and encaustic on canvas

30 x 40 in.

Denise Regan works in oil and encaustic — a wax-based medium that produces surfaces of unusual warmth and luminous depth — painting still lifes, landscapes, and interiors in electrified color with bold pattern and a flat, graphic sensibility that sits confidently between the decorative and the fine art. Her paintings bring immediate visual energy to a room without demanding the kind of close analysis that more austere work requires.

A strong choice for clients who want original oil painting that feels genuinely joyful and accessible, and for designers working in environments where warmth, color, and personality are the dominant design language. Works are modest to mid-scale and fit well in dining rooms, kitchens, secondary bedrooms, and spaces where bold color is already established.

Oil on panel

10x10 inches

Sydney Licht's small-format oil paintings on linen and panel are deceptively monumental — still lifes of everyday objects rendered with such specificity of color, surface, and weight that they hold a wall with the authority of much larger works. Her practice updates the conventions of still life painting for contemporary environments: the objects she paints — packaged goods, fabric swatches, vases, flowers — carry a wry cultural intelligence that makes them endlessly interesting to live with.

Particularly well suited to shelves, ledges, and grouped arrangements in modern and transitional interiors, Licht's paintings work brilliantly in multiples — a row of three or four small panels creates a collected, layered effect that designers return to repeatedly. Available at accessible price points; strong sell-through record.

Gouache on Canvas

14 x 11 in.

Zlotsky's paintings are among the most visually layered and rewarding works in the gallery's program — striated canvases that shift in color and rhythm as a viewer moves through a space. They are particularly effective in rooms with strong natural light, where the paintings' surface activity changes throughout the day. Well-suited to living rooms, entrance halls, and any environment where an abstract work will be lived with closely over time.