Embracing the Chaos
Rather than looking to resist the noise of daily life, this month I’m embracing the chaos. The works in this selection feel charged and dynamic. They build into something closer to a vibration than a resolution. In Josette Urso’s paintings, that energy comes from her surroundings. She paints to capture action rather than description, then gets lost in the paint itself, the surface becoming a mapping of its own making. In Mary Didoardo’s work, looping lines accumulate until distinctions dissolve and the surface hums with movement. Jacquelyn Strycker builds through pattern layered over pattern, forming knitted surfaces that gather into dense patchworks. In Peter Stephens’ paintings, precise hand-painted lines overlap and entwine, activating the surface as colors shift with proximity. Cynthia Rojas’s vibrant color and layered forms create spaces that move between surface and depth, inviting the eye to keep moving rather than settle.
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Mary DidoardoIntrovert, 2026oil on wood panel36 x 36 in.$ 6,000.00 -
Mary DidoardoTempest, 2022oil on wood panel8 x 8 in.$ 1,000.00 -
Cynthia RojasEntry, 2024acrylic on panel48 x 48 in$ 9,000.00 -
Cynthia RojasInside Out, 2024acrylic and ink on panel48 x 60 in$ 10,000.00 -
Peter StephensQuadrivium 70, 2024acrylic and collage on paperpaper size: 30 x 22 in.
image size: 18 x 13 in.$ 1,800.00 -
Peter StephensRio, 2019acrylic and collage on wood36 x 40 in.$ 8,000.00 -
Jacquelyn StryckerHeld Breath, 2026collage of risographs on Japanese papers with sewing and acrylic gouache33.5 x 33.5 in.$ 3,500.00 -
Jacquelyn StryckerMedallion (Double), 2026risographs on handmade paper with sewing11 x 8.5 in.$ 900.00 -
Josette UrsoSuperBloom, 2024oil on canvas30 x 24 in.$ 5,000.00 -
Josette UrsoPoolside, 2024oil on canvas36 x 48 in.$ 7,500.00