Jeffrey Cortland Jones

I am interested in: locating apprehending then releasing the resistance of a color then surrendering to it a hard edge as it softens the slight peeking that come from covering and layering that space between the wall and object when shallow and deep appear the same what its like to look through the fog when a mostly matte surface shifts to a little tinge of gloss that hangs out at the edge that place between misplacing and finding how white can be both warm and cool at the same time when you find that correcting is making it worse the moment when a stable stack is on the verge of collapse when contemplation breaks down and you go for it.